New material

Standing Waves are presenting brand new material at Cornerteatret, 2nd November at 1930.

Standing Waves is world fusion music, using eastern, western, jazz, classical, folk, electro-acoustic and film!

Roger Huckle – violin
Marcus Davidson – keyboards/sounds
Anders Christian Jakobsen – Drums
Eirik Kvalbein – bass
Inge Breistein – tenor sax

Standing Waves released their first album ¨The Wave¨in 2019

¨19 out of 20, contender for album of the year!¨ Musik an sich.

¨polished composition, performance and production that give it an undeniable richness, vibrancy and class.¨ Chain D.L.K.

¨Captivating!” Rockerilla

¨. . . the wave announced in the album title could break. Out of sheer good humor. And the pleasure of your own stamina. . . Not exactly simple. But still nice.¨ Amusio

On Spotify https://open.spotify.com/album/0FSPsXwS9ygpiRjszMv0QH?si=LXDmLAH7Stim8qAML-9cmg/0FSPsXwS9ygpiRjszMv0QH?si=LXDmLAH7Stim8qAML-9cmg

Great review in Adverse Effect Magazine

Many thanks for the great review of our album ¨The Wave¨ in Adverse Effect Magazine by Richard Johnson.

STANDING WAVES The Wave CD (self-released, 2019)

Seven collaborative compositions by Marcus Davidson, already known for his work with Chris Watson and Philip Jeck, and classical violinist Roger Huckle that merge the music of the eastern and western hemispheres. Following the first one, ‘Tabla Dance’, a heady and rousing number one can imagine many letting their feet respond wildly to, ‘Elegy’ is rather more restrained and polite as it veers away from the folkish nature towards a chamber piece a little out of place as the rest of the album unfolds to reveal an approach generally more in keeping with the opener. Fourth cut ‘Hildegard’s Dream’ includes a powerful and mesmerising vocal performance from Kat Kleve, whilst ‘The Wave – Part 1’ throws in vocalisations from Jayson Stilwell and assumes a more sober posture without losing the eastern elements that buoy almost everything else so well. The second part of the title track is more spirited despite a slightly sorrowful air hanging over the proceedings you can still imagine being jigged to, then the final, wonderfully titled, ’Sky of Consciousness’ brings everything to a close on the kind of atmospheric high note commanding further returns to this fray. Although not quite as subtly envelope-pushing as, say, Michel Banabila’s own dabbling with such areas, this delivers like it would be great in its original setting with films from Kam Wan and the European Space Agency accompanying it. (RJ)

 
https://adverseeffectmagazine.com/2020/01/31/reviews-february-2020/